In an earlier post, I discussed a news item about a serial rapist (pictured) who had escaped from life imprisonment in a psychiatric lockup in King’s College Hospital in South London (UK). Some doctor or nurse there had deliberately understated how dangerous he was. Apparently the hospital staff routinely understates these dangers, out of “sensitivity” for the feelings of the violent lunatics in their charge.
In that post, I briefly discussed two sentences from a hospital management committee report on the escape. In this post, I give you a more detailed analysis of the two sentences, because they exemplify the kind of weasel-wording favored by politicians and shyster lawyers. It is the opposite of clear writing; it is deliberately unclear writing.
“Recent events…”
This choice of words allows the writer of the report to avoid mentioning that a serial rapist escaped, that he had escaped once before from the same hospital, and that the second escape was made possible by the use of Politically Correct Euphemism.
“…have suggested that…”
This choice of words allows the writer to avoid making a clear, logical connection between the “events” and the cause. There is no human agent in this clause; it is an uninhabited clause. The “[r]ecent events” do not conclude or demonstrate or even indicate – they merely suggest. So, mere events (not the escape of a serial rapist) are merely suggesting something or other that may or may not prevent additional escapes or other unpleasantness.
“…certain language such as ‘medium secure patient’…”
This choice of words allows the writer to avoid specifying that the “language” is politically correct language. It also allows him to avoid characterizing the “language” as evasive, dishonest or dangerous – all of which it is.
“…is not transferable in the understanding of the level of risk posed.”
This choice of words allows the writer to avoid specifying the people (security guards and police) to whom the “language” is “not transferable.” Note that, right after “transferable,” he inserts the awkward phrase “in the understanding of.” The reader, pausing to attempt to decipher “in the understanding of,” can easily overlook the writer’s omission of an indirect object where one is called for (transferable to whom?). Clever.
The writer also avoids stating why the hospital staff’s everyday language is not transferable to these unspecified people (because they work in the real world and speak English, not Politically Correct Euphemism).
“Consideration therefore is required…”
This choice of words allows the writer to avoid acknowledging how serious the matter at hand really is. Instead of telling the staff what they henceforth must do, he suggests, by using “consideration,” that the staff need not do anything – merely consider what they may do if they are so inclined and it’s not too much bother. By weakly stating the remedy, he implies that the “[r]ecent events” were not really that serious.
“…as to how we portray or use common language whilst remaining sensitive to the patient’s treatment needs.”
This choice of words allows the writer even to avoid telling the staff what it is that they may possibly want to consider doing (but not necessarily do). He avoids telling them that they should immediately stop deliberately misleading security guards and policemen with euphemisms that understate how insane and dangerous a patient is.
He does not warn the staff that their sensitive language may expose them to criminal charges of aiding and abetting violent criminals.
Nor does he warn them that someday a victim of one of their escaped lunatics may discover that he escaped because some soulful nurse sensitively understated how dangerous he was. Upon learning this, the victim may decide to sue the nurse for everything she has.
By using “whilst remaining,” the writer hints that management places a higher priority on sensitivity than on security or public safety – crime victims be damned! However, if confronted he can always deny this.
All in all, a little masterpiece of weasel-wording.
The Takeaway: If you catch yourself habitually writing evasive language, try to break the habit. If you are not sure whether something is evasive, email me a representative sample and (unless I am on deadline) I will give you a free sanity check.
A Good Resource: For more on weasel-wording and bureaucratic writing, see Less Than Words Can Say, by the late Richard Mitchell. It is one of the great essays on English.
Thursday, December 4, 2008
Friday, November 28, 2008
The uninhabited clause (1)
On “The Last Ditch” website, we see an article entitled, “The nation we’ve lost: Twilight of Middle America,” by Kevin Lamb. The article contains this paragraph:
“One impediment for Middle America is its failure to recognize how the cultural, ethnic, and social undercurrents of the nation’s political life-stream affect the changes that take place in American society. Demographic displacement as well as the taboo of Middle American whites’ exhibiting any explicit ethnic or racial identity are reinforced by the influence of managerial elites (mass media, government, and corporate entities).” (Emphasis in original.)
The grammar is flawless. However, the paragraph is difficult to understand. There are at least five reasons. Four of them are:
Vague diction: e.g., “impediment” to what? And what is a “political life-stream”?
Odd choice of preposition: namely, “taboo of” as opposed to “taboo against” or “taboo on”
Passive voice: namely, “are reinforced by”
Wordiness: e.g., “changes that take place in American society”
The fifth reason is the use of a construction that I call the uninhabited clause. An uninhabited clause is a main clause* with a subject that is a physical thing or a concept, as opposed to a person or group of persons. For example, in the paragraph cited, the subjects of the two main clauses are (1) “impediment”; and (2) “displacement” and “taboo.”
The best way to make an uninhabited clause clearer is to put in some people, if possible. Here’s my attempt to do that:
Middle Americans don’t recognize how the cultural, ethnic, and social undercurrents of the nation’s political life-stream affect changes in American society. By failing to recognize this, they impede their own [what?]. Managerial elites (mass media, government, and corporate entities) encourage minorities to move into white neighborhoods and discourage Middle American whites from exhibiting any explicit ethnic or racial identity.
There are now three main clauses – all inhabited. The subjects are: (1) “Middle Americans”; (2) “they”; and (3) “elites.” This one change helps a lot.
Also, my revision corrects the odd preposition, the one use of passive voice, and the wordiness. To correct the vague diction, I would have to ascertain what Mr. Lamb meant by “political life-stream” and what his “impediment” was impeding. As it is, my interpretation of his “[d]emographic displacement” as minorities’ moving into white neighborhoods is only a guess.
In scientific writing, the uninhabited clause is the norm: planets revolve around suns, water erodes rock, nitrogen feeds plants, and so on. The same holds true for medical, engineering, and other technical writing. That is all well and good. However, you should try to avoid uninhabited clauses in your everyday writing, because most of your readers will find them difficult to understand.
Uninhabited clauses also tend to sound academic, theoretical and remote. If you use a lot of uninhabited clauses, your readers may tune out.
The Takeaway: Try to structure each of your clauses – especially your main clauses – so that the subject of the clause is a person or group of persons as opposed to a physical thing or a concept.
Disclaimer: As I have mentioned before, I select writing samples in order to explain various barriers to clarity – not to focus on any particular writer’s shortcomings. So, I am not trying to pick on Mr. Lamb, who has had a distinguished career as a writer and editor. His writing is often delightful; for example, elsewhere in the essay cited, he writes, “Groping for the right cliché, Tom Brokaw noted that…”
*Also called primary clause, independent clause, and sentence.
“One impediment for Middle America is its failure to recognize how the cultural, ethnic, and social undercurrents of the nation’s political life-stream affect the changes that take place in American society. Demographic displacement as well as the taboo of Middle American whites’ exhibiting any explicit ethnic or racial identity are reinforced by the influence of managerial elites (mass media, government, and corporate entities).” (Emphasis in original.)
The grammar is flawless. However, the paragraph is difficult to understand. There are at least five reasons. Four of them are:
Vague diction: e.g., “impediment” to what? And what is a “political life-stream”?
Odd choice of preposition: namely, “taboo of” as opposed to “taboo against” or “taboo on”
Passive voice: namely, “are reinforced by”
Wordiness: e.g., “changes that take place in American society”
The fifth reason is the use of a construction that I call the uninhabited clause. An uninhabited clause is a main clause* with a subject that is a physical thing or a concept, as opposed to a person or group of persons. For example, in the paragraph cited, the subjects of the two main clauses are (1) “impediment”; and (2) “displacement” and “taboo.”
The best way to make an uninhabited clause clearer is to put in some people, if possible. Here’s my attempt to do that:
Middle Americans don’t recognize how the cultural, ethnic, and social undercurrents of the nation’s political life-stream affect changes in American society. By failing to recognize this, they impede their own [what?]. Managerial elites (mass media, government, and corporate entities) encourage minorities to move into white neighborhoods and discourage Middle American whites from exhibiting any explicit ethnic or racial identity.
There are now three main clauses – all inhabited. The subjects are: (1) “Middle Americans”; (2) “they”; and (3) “elites.” This one change helps a lot.
Also, my revision corrects the odd preposition, the one use of passive voice, and the wordiness. To correct the vague diction, I would have to ascertain what Mr. Lamb meant by “political life-stream” and what his “impediment” was impeding. As it is, my interpretation of his “[d]emographic displacement” as minorities’ moving into white neighborhoods is only a guess.
In scientific writing, the uninhabited clause is the norm: planets revolve around suns, water erodes rock, nitrogen feeds plants, and so on. The same holds true for medical, engineering, and other technical writing. That is all well and good. However, you should try to avoid uninhabited clauses in your everyday writing, because most of your readers will find them difficult to understand.
Uninhabited clauses also tend to sound academic, theoretical and remote. If you use a lot of uninhabited clauses, your readers may tune out.
The Takeaway: Try to structure each of your clauses – especially your main clauses – so that the subject of the clause is a person or group of persons as opposed to a physical thing or a concept.
Disclaimer: As I have mentioned before, I select writing samples in order to explain various barriers to clarity – not to focus on any particular writer’s shortcomings. So, I am not trying to pick on Mr. Lamb, who has had a distinguished career as a writer and editor. His writing is often delightful; for example, elsewhere in the essay cited, he writes, “Groping for the right cliché, Tom Brokaw noted that…”
*Also called primary clause, independent clause, and sentence.
Tuesday, November 25, 2008
Mantra overload (1)

Another mannerism that interferes with clear writing is the frequent use of mantras (fad words that have endured). There is nothing wrong with deliberately using an occasional mantra for style or effect. However, many people can’t seem to write two paragraphs in a row (or speak for 30 seconds) without using at least one mantra.
Often you’ll notice someone using two mantras in a single sentence. Sometimes even three – although that’s rare.
Here’s an example of three mantras in one sentence. It is from NWAnews.com, June 3, 2007:
“ ‘At the end of the day, I believe fully the president is doing the right thing, and I think all we need is some attacks on American soil like we had on [Sept. 11, 2001], and the naysayers will come around very quickly to appreciate not only the commitment for President Bush, but the sacrifice that has been made by men and women to protect this country,’ [Dennis] Milligan said.” (Boldface added.)
Mr. Milligan (shown in photo above) is chairman of the Republican Party in Arkansas. The remark is widely considered deranged.
I chose this example not only because it contained three mantras in a single sentence, but also because those three specific mantras represented all three categories of mantras:
Rhetorical clutter (a phrase that adds no meaning to a sentence)
Vague place-holder (a phrase used by lazy speakers and writers)
Propaganda phrase (a loaded phrase with a hidden agenda)
At the end of the day is rhetorical clutter. It conveys no more meaning than does the phrase well, basically, and it may confuse the reader who wonders why it’s there. And, like most mantras in this category, it irritates many readers. At the end of the day was recently voted the #1 most irritating phrase in the English language.
Do(ing) the right thing is a vague place-holder. In the context of Mr. Milligan’s remark, the adjective right could mean ethical, moral, honorable, brave, traditional, customary, stylish, fashionable, polite, practical, cunning, Machiavellian, or more.
Like Homeland Security and other phrases that U.S. Government employees began popularizing after 9-11, soil as used in this context is a borrowing from Nazi Germany. The National Socialists popularized the traditional German phrase Blut und Boden (blood and soil) into a mantra and used the mantra as nationalist and racist propaganda.
The Takeaway: If you use a lot of mantras, you may confuse and irritate your readers and hearers. You may even appear to be lazy and sneaky. Need I say more?
Often you’ll notice someone using two mantras in a single sentence. Sometimes even three – although that’s rare.
Here’s an example of three mantras in one sentence. It is from NWAnews.com, June 3, 2007:
“ ‘At the end of the day, I believe fully the president is doing the right thing, and I think all we need is some attacks on American soil like we had on [Sept. 11, 2001], and the naysayers will come around very quickly to appreciate not only the commitment for President Bush, but the sacrifice that has been made by men and women to protect this country,’ [Dennis] Milligan said.” (Boldface added.)
Mr. Milligan (shown in photo above) is chairman of the Republican Party in Arkansas. The remark is widely considered deranged.
I chose this example not only because it contained three mantras in a single sentence, but also because those three specific mantras represented all three categories of mantras:
Rhetorical clutter (a phrase that adds no meaning to a sentence)
Vague place-holder (a phrase used by lazy speakers and writers)
Propaganda phrase (a loaded phrase with a hidden agenda)
At the end of the day is rhetorical clutter. It conveys no more meaning than does the phrase well, basically, and it may confuse the reader who wonders why it’s there. And, like most mantras in this category, it irritates many readers. At the end of the day was recently voted the #1 most irritating phrase in the English language.
Do(ing) the right thing is a vague place-holder. In the context of Mr. Milligan’s remark, the adjective right could mean ethical, moral, honorable, brave, traditional, customary, stylish, fashionable, polite, practical, cunning, Machiavellian, or more.
Like Homeland Security and other phrases that U.S. Government employees began popularizing after 9-11, soil as used in this context is a borrowing from Nazi Germany. The National Socialists popularized the traditional German phrase Blut und Boden (blood and soil) into a mantra and used the mantra as nationalist and racist propaganda.
The Takeaway: If you use a lot of mantras, you may confuse and irritate your readers and hearers. You may even appear to be lazy and sneaky. Need I say more?
Monday, November 24, 2008
Readability: declaring war on marketing mush
In several posts (here, here and here), I’ve discussed the importance of readability. Without high readability, you cannot achieve clear writing. Sad to say, most high-tech marketers write copy at the low end of the readability scale. One example for today:
At random, I selected CollabNet. I clicked through to the first product page and tested its readability. It is an abysmal 3.6 on the Flesch Reading Ease test. That is far below the readability of a typical tax form.
Here are a few sample ranges of test scores, from higher readability (top of list) to lower readability (bottom of list):
60s Reader’s Digest
50s Time magazine
40s The Wall Street Journal
30s Harvard Law Review; white papers
20s IRS forms; academic papers
10s Many high-tech web sites
In a Flesch Reading Ease test, your copy gets marked down for both long sentences and long words. On the page I tested, the average sentence length is 24.2 words (very long). The average word length is 6.3 characters (long, but not bad for tech copy).
I pasted the first two paragraphs from that page into Word:
“Subversion® is the new standard for version control and Software Configuration Management (SCM) in globally distributed organizations that need to share source code across locations. Ease of use and out-of-the-box support for remote teams make Subversion the best solution for global projects, compared to legacy tools that are inadequate for distributed teams and too expensive to run.
“CollabNet Subversion is an enterprise-ready distribution of Subversion that includes certified binaries, platform-specific installers, certified plugins for other tools, and enterprise-ready add-ons.”
Scores:
Words per sentence: 26.3
Characters per word: 6.3
Flesch Reading Ease score: 7.6 (much harder than a tax form)
Then I spent about four minutes editing the copy: mostly shortening the sentences; pretty much ignoring word length. Here’s the result:
Subversion® runs your version control and Software Configuration Management (SCM). It’s the new standard for globally sharing source code. It is easy to use. It immediately supports your remote teams. Legacy tools deliver none of these benefits and they cost too much to run.
CollabNet Subversion is ready to install and use in your company. It includes certified binaries, platform-specific installers, certified plugins for other tools, and enterprise-ready add-ons.
Scores:
Words per sentence: 9.8
Characters per word: 5.6
Flesch Reading Ease score: 41.1 (as easy as The Wall Street Journal)
Now, I’m sure you can think of further refinements. For example, maybe the sentences are now a little too short and choppy. Perhaps back off a bit on the abbreviating. And, yes, the folks at CollabNet would probably shriek that I busted up the phrase “globally distributed organizations that need to share source code across locations.” Likely it’s a verbatim lift from the company’s key-message platform.
But I do think I’ve made my point. This is a typical high-tech company, selected at random for a readability test. The company seems to go out of its way to repel people who visit its web site. A stranger in rural New Hampshire edited a few sentences for a few minutes, sharply raising readability. The marketers at CollabNet could (and should) do likewise.
The Takeaway: The quickest way to increase the clarity of tech copy is to increase readability by reducing sentence length. For example, in less than an hour, you probably could transform your home-page copy from barely readable to highly readable.
At random, I selected CollabNet. I clicked through to the first product page and tested its readability. It is an abysmal 3.6 on the Flesch Reading Ease test. That is far below the readability of a typical tax form.
Here are a few sample ranges of test scores, from higher readability (top of list) to lower readability (bottom of list):
60s Reader’s Digest
50s Time magazine
40s The Wall Street Journal
30s Harvard Law Review; white papers
20s IRS forms; academic papers
10s Many high-tech web sites
In a Flesch Reading Ease test, your copy gets marked down for both long sentences and long words. On the page I tested, the average sentence length is 24.2 words (very long). The average word length is 6.3 characters (long, but not bad for tech copy).
I pasted the first two paragraphs from that page into Word:
“Subversion® is the new standard for version control and Software Configuration Management (SCM) in globally distributed organizations that need to share source code across locations. Ease of use and out-of-the-box support for remote teams make Subversion the best solution for global projects, compared to legacy tools that are inadequate for distributed teams and too expensive to run.
“CollabNet Subversion is an enterprise-ready distribution of Subversion that includes certified binaries, platform-specific installers, certified plugins for other tools, and enterprise-ready add-ons.”
Scores:
Words per sentence: 26.3
Characters per word: 6.3
Flesch Reading Ease score: 7.6 (much harder than a tax form)
Then I spent about four minutes editing the copy: mostly shortening the sentences; pretty much ignoring word length. Here’s the result:
Subversion® runs your version control and Software Configuration Management (SCM). It’s the new standard for globally sharing source code. It is easy to use. It immediately supports your remote teams. Legacy tools deliver none of these benefits and they cost too much to run.
CollabNet Subversion is ready to install and use in your company. It includes certified binaries, platform-specific installers, certified plugins for other tools, and enterprise-ready add-ons.
Scores:
Words per sentence: 9.8
Characters per word: 5.6
Flesch Reading Ease score: 41.1 (as easy as The Wall Street Journal)
Now, I’m sure you can think of further refinements. For example, maybe the sentences are now a little too short and choppy. Perhaps back off a bit on the abbreviating. And, yes, the folks at CollabNet would probably shriek that I busted up the phrase “globally distributed organizations that need to share source code across locations.” Likely it’s a verbatim lift from the company’s key-message platform.
But I do think I’ve made my point. This is a typical high-tech company, selected at random for a readability test. The company seems to go out of its way to repel people who visit its web site. A stranger in rural New Hampshire edited a few sentences for a few minutes, sharply raising readability. The marketers at CollabNet could (and should) do likewise.
The Takeaway: The quickest way to increase the clarity of tech copy is to increase readability by reducing sentence length. For example, in less than an hour, you probably could transform your home-page copy from barely readable to highly readable.
Saturday, November 22, 2008
Rhetorical clutter (3)
Clear writing is orderly and uncluttered. As we have covered previously, rhetorical clutter can confuse your readers and hide your main point.
Rhetorical clutter often involves mixed metaphors. A mixed metaphor is a series of two or more metaphors that become incongruous when combined. An example appears in a recent essay on the mortgage contraction:
“It doesn’t take the most competent forensic expert to put the crime scene squarely at the doorstep of the quasi-government banking institutes Fannie Mae and Freddie Mac.”
The phrase “crime scene” makes an easy-to-grasp metaphor. So does the word “doorstep.” But together, the metaphors are incongruous. The reader may imagine the crime scene as a piece of Central Park or an entire ranch house in Tarrytown. Then he imagines a giant crane picking it up, moving it, and placing it at a doorstep.
And the writer, by adding the phrase “forensic expert” and the word “squarely,” increases the likelihood that the reader will take both metaphors literally and thereby recognize the (unintentional) incongruity.
While I’m at it, I may as well point out a related flaw. The word “doorstep” is singular but there are two buildings involved: the headquarters of Fannie Mae and the headquarters of Freddie Mac.
What does all this have to do with clarity? A mixed metaphor confuses your reader, distracts him and wastes his time. It may also irritate him and persuade him that you are a careless writer and therefore a careless thinker.
The Takeaway: Handled well, a metaphor can help you make a point more clearly or more memorably. Handled poorly, a metaphor is a distraction. When in doubt, do not use a metaphor. If you do use a metaphor, make sure it does what you want it to do: no more, no less.
A Good Resource: If you would like more advice about using metaphors, see Simple & Direct by Jacques Barzun.
Rhetorical clutter often involves mixed metaphors. A mixed metaphor is a series of two or more metaphors that become incongruous when combined. An example appears in a recent essay on the mortgage contraction:
“It doesn’t take the most competent forensic expert to put the crime scene squarely at the doorstep of the quasi-government banking institutes Fannie Mae and Freddie Mac.”
The phrase “crime scene” makes an easy-to-grasp metaphor. So does the word “doorstep.” But together, the metaphors are incongruous. The reader may imagine the crime scene as a piece of Central Park or an entire ranch house in Tarrytown. Then he imagines a giant crane picking it up, moving it, and placing it at a doorstep.
And the writer, by adding the phrase “forensic expert” and the word “squarely,” increases the likelihood that the reader will take both metaphors literally and thereby recognize the (unintentional) incongruity.
While I’m at it, I may as well point out a related flaw. The word “doorstep” is singular but there are two buildings involved: the headquarters of Fannie Mae and the headquarters of Freddie Mac.
What does all this have to do with clarity? A mixed metaphor confuses your reader, distracts him and wastes his time. It may also irritate him and persuade him that you are a careless writer and therefore a careless thinker.
The Takeaway: Handled well, a metaphor can help you make a point more clearly or more memorably. Handled poorly, a metaphor is a distraction. When in doubt, do not use a metaphor. If you do use a metaphor, make sure it does what you want it to do: no more, no less.
A Good Resource: If you would like more advice about using metaphors, see Simple & Direct by Jacques Barzun.
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