Most professors write exhausting prose. They exhaust their readers by continually forcing them to decode circumlocutions, euphemisms, evasions, ambiguities, misplaced modifiers, vague antecedents, and logical fallacies. They make the readers endure passive voice, elegant variation, and sheer nonsense. They make the readers slog through long sentences.
But professors are not the only vexers. Many non-professors exhaust their readers, too. Consider, for example, the British soldier Frederick J. Veale (pictured), who died in 1976. In his revisionist history Advance to Barbarism, Veale claims that the Allies thought up the idea of deliberately bombing civilians and the Axis merely followed suit. But after enticing his readers with this provocative thesis, Veale exhausts them with prose like this:
“It would not indeed be correct to say that what was officially termed ‘the strategic bombing offensive’ was carried out to the last day of the war without opposition, protest or misgivings. Questions were asked in Parliament as to the character of this air offensive which were fully reported in the Press with the answers given. Certainly it cannot be said that the Ministers of the Crown upon whom fell the duty of answering these questions, resorted to evasion or equivocation.
“In accordance with the British tradition they kept a stiff upper lip and gave clear and emphatic replies, without any signs of embarrassment such as might have been expected from them having regard to the fact that as recently as March 1942 Mr. Churchill’s War Cabinet had accepted the plan laid before it by Professor Lindemann by which ‘top priority’ as an objective for air attack was in future to be given to ‘working-class houses in densely populated residential areas.’ ” (161 words)Analysis
There are many things wrong with these two consecutive paragraphs; for the sake of brevity, I’ll just hit the highlights:
Long sentences (average 40.2 words).
Passive voice; for example: “Questions were asked in Parliament as to the character of this air offensive which were fully reported in the Press with the answers given.” (Boldface added.)
An egregious, grotesque circumlocution: “...such as might have been expected from them having regard to the fact that as recently as March 1942 Mr. Churchill’s War Cabinet had accepted the plan laid before it by Professor Lindemann by which ‘top priority’ as an objective for air attack was in future to be given to ‘working-class houses in densely populated residential areas.’ ”A suggested rewrite
In just over three minutes, I did this rough rewrite:
Several government officials opposed, protested or at least questioned “the strategic bombing offensive.” For example, Members of Parliament asked the Ministers questions about the character of the offensive. The Ministers answered clearly and emphatically, and the press fully reported both the questions and the answers. The Ministers did not appear to be embarrassed that the War Cabinet had decided to deliberately bomb “working-class houses in densely populated residential areas.” (68 words)My rewrite is 58 percent shorter than the original, and it is much easier to follow. (Note: I felt it was fair to delete the mention of Professor Lindemann, because two paragraphs later a quotation describes the professor’s role in the offensive.)
The Takeaway: Try not to fall into the bad habits of the typical professor. As you edit your drafts, watch for circumlocutions, euphemisms, evasions, ambiguities, misplaced modifiers, vague antecedents, logical fallacies, passive voice, elegant variation, and sheer nonsense. Keep your sentences mostly short; vary the sentence length. And always check your prose for readability; if your Flesch Reading Ease score is consistently below 30, you probably are writing like a professor. Ask a capable editor to look at samples of your work and advise you on how to break your bad habits.
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